Poetic Elegance and Decay: A Study of Lyrical Works by Liu Yong and Zhou Bangyan (Chinese Edition)

The book draws on Western reception aesthetics theory, with ci-hua (lyrical remarks) as the main material, and examines the historical reception of the two great ci (lyric poetry) masters of the Song Dynasty, Liu Yong and Zhou Bangyan, as well as their poetic works.

By adopting the approach of reception aesthetics, the book explores the development of ci poetry during the Song period. It focuses on the critical reception and literary evaluation of the ci compositions by Liu Yong and Zhou Bangyan, two of the most renowned ci poets in Chinese literary history.

The study delves into the evolving attitudes and perspectives towards these two ci masters and their poetic oeuvres across different eras. It traces the shifting interpretations, critiques, and appreciations of their ci writing, as reflected in the commentaries and discussions by literary scholars and connoisseurs throughout the ages.

Through this lens of reception aesthetics, the book illuminates the dynamic interaction between the ci works of Liu Yong and Zhou Bangyan and their readers, highlighting the myriad ways in which these poets and their compositions have been perceived, analyzed, and valued over time.

The analysis draws upon a wealth of ci-hua, or lyrical remarks, as the primary source material, allowing for a comprehensive and nuanced understanding of the literary reception and critical discourse surrounding these two celebrated ci practitioners.

By examining the reception history of Liu Yong and Zhou Bangyan, the book sheds light on the broader developments and transformations within the ci poetic tradition during the Song Dynasty, a period widely recognized as the golden age of ci writing.

The work's engagement with Western reception aesthetics theory serves to enrich the analytical framework, enabling a more dynamic and multifaceted exploration of the literary legacy and cultural significance of these two eminent ci poets.

Through this innovative approach, the book offers new perspectives on the evolving reception and evaluation of Liu Yong and Zhou Bangyan, contributing to a deeper understanding of the complexities and subtleties inherent in the appreciation and interpretation of classical Chinese ci poetry.

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